Wednesday, July 16, 2008

Chasing Sunsets

Sunset is supposed to be this beautiful, relaxing time. I absolutely love sunsets - nothing matches the incredible light of sunset, especially just after the sun dips below the horizon, when the colors in the sky intensify. But make no mistake: for many photographers, sunset is a stressful time of day!
The best time of day to shoot pretty much anything is early in the day and late in the afternoon. "Magic hour" light. The low angle of the sun creates shadows that reveal shapes and textures, and the light is warm and beautiful. But once the sun heads for the horizon, it doesn't last long - so you have to be ready.
I had this vision of the salt flats near Amboy Crater: the white, geometric crusts glowing pink in the post-sunset light, the mountains in the background silhouetted against a colorful splendor in the sky... so I planned to shoot it during my recent trip to CA.
The first time I set out to capture this scene in my head, I had spent the afternoon wandering around nearby Wonder Valley, shooting abandoned cabins and mines. It was great - but I got so caught up in the myriad of shooting opportunities, that I realized a bit too late that the sun was going down fast, and I was miles from the salt flats. There were clouds in the sky - unusual for the desert - so I knew it was going to be a picture-worthy sunset. I had a choice: nix the salt flats and stay with the cabins - use a soft-pink-lit cabin as the foreground for a great sunset-cloud shot - or hit the gas and get my butt over to Amboy. Tough choice, since I knew I had a sure thing right where I was. But I already have pink-lit-cabin-cool-sunset shots, so I told myself that I wouldn't be lazy; I would floor it and head for my original destination.
After driving as fast as possible on a washboard dirt road across the valley, I hit the highway and sped through Sheep Hole Pass as fast as possible, slowing down only when the occasional car came into view. The sun started dipping below the mountains. The sun's rays shining up started lighting the bottoms of the clouds behind me. Damn! Driving faster, heart pounding... In the rear view mirror, I could see a gorgeous pink cloud dominating the sky right over the mountain ridge. Gorgeous. But don't stop. Almost there...
By the time I was halfway to Amboy, it was clear: I was going to miss it. The sun was well below the horizon, the clouds in the west were lit up, and the light was not going to last. Resigned to a mediocre-at-best sky-over-mountain-ridge shot, I pulled over on the dirt shoulder, grabbed my camera and tripod, and ran toward the mountains to a better vantage point. The light was changing rapidly - better just set up and take the damn shot now, or I'll have nothing at all from this. Snapped a few frames, and the light was gone. Clouds turned a pallid grey. I didn't get to the salt flats in time, and I missed what was surely an excellent shot back in Wonder Valley.
The next time, a few days later, I was determined: there were great clouds in the sky, it was going to be an excellent sunset opportunity, and I would make sure to be in the right place at the right time. I drove straight to the salt flats, scouting out the location beforehand. Once that was complete, I shot around nearby Roy's Cafe for awhile. As the sun got lower in the sky, I knew it was time. The sky was perfect: clouds everywhere to reflect that colorful glow.
I headed toward the salt flats, optimistic and confident. Got out of the car, headed to a good spot on the dry lake bed.... and noticed the band of heavy cloud cover on the horizon. The sun started dipping below those clouds before it had a chance to set. This did not bode well for intense color! Then the wind suddenly picked up. I turned to face east and saw it: the wall of dust being kicked up by intense winds that were blowing across the flats - right at the time of sunset - and it was heading my way. Fast. That wasn't normal cloud cover the sun was ducking behind - it was a dust cloud!
Shielding my camera from the flying sand and trying to keep my tripod steadied in the wind, I waited as long as I could just in case, magically, some color might appear over the clouds - some last rays of hope as it were. It was not meant to be. With the sun fast disappearing behind the clouds and the wind's intensity kicking up to the point where I was being riddled with flying pebbles, I grabbed the tripod, camera still attached and legs still extended, and bee-lined it for the car, running straight into the wind.
Just as I crested the bank that separates the road from the dry lakebed, I looked up and saw the wall of sand stretching from one horizon to the next - and it was heading straight for me and my car. At that moment, the wind knocked me off the bank and I skidded back down to the crusty salt bed. I noticed an opening in the bank to my right, and quickly scrambled to the road and sprinted for the car. Wedged the door open, threw the camera and tripod into the back seat (again, still attached), and thrust myself into the car. Door slammed shut behind me. Over my panting, I could hear the insistent ticking of pebbles beating on the car. I looked around and the entire vista was obscured.
Somewhere, not far above this storm of wind and sand, the skies were ablaze with purple and orange clouds. But all I could see was grey.

Thursday, July 10, 2008

Stink Bugs and Longhorn Beetles

These are just two of the many rather LARGE insects that call the Mojave desert home, and I encountered both today. I do not like large insects. Or small ones, for that matter. I thought that the more time I spent in the desert at night, the more comfortable I would feel. Oddly, it appears to be the opposite: every night I get more creeped out.

Tonight, after a tour of the Artist In Residence facility in Joshua Tree National Park (thank you Karen!), I decided to stay in the park and do some evening photography. The sun had already gone down, so after the normal post-sunset-Joshua-Tree-silhouette shots while there was still color in the sky, I dug out my flashlight and gels to try some experimenting. I have been wanting to do more night work, so this was a perfect opportunity.

One thing is for sure: if there is a moon in the sky, it is less creepy; at least then you can sort of see what's around you. The other night, the power went out - presumably due to the very high winds that evening. When I got back to the cabin, I was trying to look at the bright side (pardon the pun) and looked forward to a spectacular light-free night sky view. But as soon as I stepped out of the car and experienced the moonless black night, anxiety set in almost immediately. I started thinking irrational Blair Witch thoughts. I started imaging all of the murderous neighbors who were surely waiting for just this opportunity to strike. Is this just a product of too many movies? The infinite starfield - complete with Milky Way streaking from one horizon to the next - didn't help. Just made me feel more insignificant and vulnerable. (But yes, it was spectacular.)

I really want to be the fearless intrepid photographer, I really do. But I have to admit it: I am a total nature night wimp! The bugs come out, the coyotes howl, I imagine scorpions with every noise and ants bite my toes while I am holding down the shutter on my camera during long exposures.

The up side? I did get some cool shots, in spite of my jitters. Here's one:

Monday, July 7, 2008

What's in a name?

I have been convinced to start a blog. Seems a good place to talk about my adventures and share photos with the world, plus it will be good writing practice. I rarely even read a blog, so this is like a totally new universe to me.

So when asked by blogger here what to name the thing, I had no frikken clue. For some reason "fish out of water" came to mind. I think it fits:
  • I am a Maritimer, born and raised in Moncton, New Brunswick. Land of fish, beaches, and lots of water. Yet I live in the middle of Canada, far from the coast. I also am obsessed with the desert, and come out here whenever I can.
  • Did I say "here"? I am writing this from Joshua Tree, California, in the Mojave Desert. I am here on an artist's residency. This is my first residency and I definitely feel like a fish out of water now. Likely why the name came to mind in the first place.
  • My current project is on the Salton Sea. This place is known for its shores lined with dead fish. It also is slated to soon lose a large percentage of its water inflow. Not good for the fishies. Or the people. Lots more on all that later.
  • I am a Pisces. But not a typical one.
  • Finally, the obvious one: I often seem to put myself in situations where I don't really feel comfortable! (although, it's usually in order to grow or create something new, so it's all good...)

Yep. Fish out of water. Welcome.